SHANKAR BARUA / SHANKARBABA
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Writer || Curator || Photographer || Musician || 'Artist' || Maker || Video || Press

Some Photography

Whereas I still do accept interesting photography assignments every now and again,..

I was pretty much a full-time photographer (and writer) through the 1980s, when I was sort of specialized in adventure travel work, while at the same time also doing other editorial assignments for newspapers and magazines, as well as film-stills, pack-shots for advertising, and even a few photo-series that were actually incorporated into the final footage of a couple of eminent documentary films commissioned for some editions of the international 'Festival of India'.

I also wrote a weekly 'How to' column on photography tricks and techniques for awhile, for what was possibly the first full-colour Sunday-supplement of any newspaper in Delhi (National Herald), and, additionally served several American photography-tour groups as workshop-leader.

After losing my photo archives 1989, I explored 'art photography' for awhile. And, when a rash of photo-exhibitions in Delhi followed the incredibly well-received exhibition of photographs that I showed from this together with works by Hemen Sanghvi and Ravi Pasricha, at the Shridharani Gallery in 1991, under the title 'Milestones', Indi'a's largest circulation newspaper, Times of India, invited me to write reviews and critiques for the main paper for almost 2 years.

However, my archive of photographs from the time is entirely lost to me,.. other than for the pictures captioned in the gallery above as being 'crude slide-copies', which somehow survived along with some others in a couple of plastic slide-holder sleeves.

Almost all of the other images in this gallery were shot much more recently with cellphone cameras, ranged from a cheap Samsung Duos feature-phone, through an Asus Zenphone 2, and an iPhone SE.
Caterpillar, Sattal.
Crude slide-copy of a picture of a flower shot using a simple magnifying glass for a lens.
Detail, Akshara Theatre.
Crude slide-copy of a picture of one of my older cameras.
Tiny flower, Sattal.
British Colonial graveyard, Nainital.
Arseblown bug, Sattal.
Crude slide-copy of an early picture of my son
Crude slide-copy of an early picture of my son Bacchus with his pal Juhi.
Construction scene, Bhimtal.
A few of the hundreds of Bells of Golu Devta, Bhowali.
Resin tap of a pine tree at Jungliagaon.
Crude slide-copy of one of the prints I exhibited in Shridharani Gallery, Delhi, 1991
British Colonial graveyard, Nainital.
Live cat, Guwahati.
Dead Cat, Guwahati.
Crude slide-copy of a picture of funeral stupas in Ladakh.
British Colonial graveyard, Nainital.
Crude slide-copy of a picture of a dead flower shot using a magnifying glass for a lens.
Peepul monsoon marker, found as is, Delhi.
Dipika at her wedding to Hemu Kanwal, Sattal.
Hemu Kanwal at his wedding to Dipika, Sattal.
Girish Arya.
Roadkill, Delhi.
Modified photograph of a dead lizard that I call my 'Dizard'.
Crude slide-copy of one of the prints I exhibited in Shridharani Gallery, Delhi, about 1991.
Whatzit, Sattal.
Crude slide-copy of a picture of some 'jewelry' shot using a magnifying glass for a lens.
Crude slide-copy of a picture of a feather.
Flower, Sattal.
Crude slide-copy of a picture of dead flowers shot using a magnifying glass for a lens.
Strutting bug, Sattal.
Found object, found as is, Delhi.
Crude slide-copy of a picture of a young goat in Jaisalmer.
Harak Singh Satwal trying to coax a deer out of Naldamyanti Tal, Sattal.
British Colonial graveyard, Nainital.
Flower seeds, Sattal.
Wet leaf, Sattal. Or, is it actually 'dry'?
Pocket knife.
Leaves, Sattal.
Of life and death, Sattal.
Moth, Sattal.
Crude slide-copy of a picture of a replica of the bust of a priest from Mohenjo Daro.
Modified photograph of a concrete head I made.
Nando Baba cleans the gittie at the confluence of two rives, Chafi.
My neighbour's parking slot, Sattal.
New life, Sattal.
Skin shed by a snake, in my house.
Flower and leaves, Sattal.
Crude slide-copy of a picture of a still life setup.
Crude slide-copy of a picture of a Masai warrior who's been with me since I was a child.
Crude slide-copy of a picture of a dead pigeon.
Flower at Jaws' old place, Sattal.
Beginnings of an Installation by Dilip Tamuly, Guwahati.
Modified photograph (composited from 2)
Modified photograph of a friend.
The Belief Experiment's first album release gig, Vancouver.
Flowers, Sattal.
An image inspired by the Korean photographer known as 'KDK', Guwahati.
Composited from photographs I shot on a visit to Germany.
Two boats across the lake for a slight picnic, Sattal.
View from Hartola.
Tree Dahlia from Nathuakhan.
The last commercial photography assignment I did *with film*.
A forest fire visits just across the road from us (thus far) in Sattal almost every spring season.
Sunset @ Heal Farm (monsoon, 2018)
Daya Shankar, Sattal
Rebadhar Peshkar, Dobe
Legendary 'Writer' at the Nainital Tehsil.
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